Wolf-Dietrich Eulitz
MOTORIC AND BIOMECHANIC OF
VIOLIN-VIBRATO AND FINGER-COMPOSITION
THE MUSCULES SYNKINESIA AND
WORKING-PHYSIOLOGICAL CENSURE FROM THE LEFT-HAND.
With deductions of
Sir Yehudi Menuhin a.o.
Musicbook Editions Eulitz Berlin
4th edition 1998
Summary:
The interdisciplinary and the first violin-methodical inquire of the musculus synkineses of the violin play from the left violin.hand makes available an specify profound analysis from the work of the volin-vibrato and the finger-composition with her methodical and pedagogy components. The conception of the synkineses has to be understand as an anatomical standard design between holding and moving-work of conscious body-actions. This case is transmit to the technical functionsfrom the left hand, including their criticism, referring to physiological labour.
10 quotes as an illustration of healing pedagogical play-interruption under control confirms the analysis.
To make it easier to the vintager, 22 play-functional and anatomical copies are showed, including musculus index with physiology explanations, meaning the methodical basic comprehension anatomical without supposition sensitiv play.
The contents discussion comprises 100 pages at all:
motoric and biomechanic of the breed violin-vibrato like hand-forearm as well as the independent whole arm-vibrato, the part of finger-vibration, their working play, working position, their fast-behaviour, their kinematical chains, forms of move and sensorical basic forms.
Comparabel criticism for the finger-composition with thumb-opposition, stabilisation of the wrist, the position, turned to the outward for the forearm and the hand to the fingerboaed, the working-lever-position with musculus effects on the finger-cmposition, proportion between force and velocity, physiological criticism about the left handside-violin position were get by work.
Analogies to the bow-technology and vibrato from the violoncello and double-bass. Detailed register of professional words and literature.
Readers: violonists-contrabassists, harpists and woodwind-player
contact: KM Wolf-Dietrich Eulitz
Healing-teacher ,specified for play-sickness referring to the strings
domicil: Gundelfingerstraße 41, 10318 Berlin, Germany
Tel/Fax: 030/ 5099824
Staatskapelle Berlin-Staatsoper Unter den Linden
Head-conductor: Daniel Barenboim
Ordering by phone or in writing as c.o.b.-parcel
price: 33,- DM ( without postage ) DIN 15
The interdisciplinary and the first violin-methodical inquire of the musculus synkinesia of the violin-play from the left violin.hand makes available an specify profound analysos from the work of the volin-vibrato and the finger-composition with her methodical and pedegogy components. The conception of the synkinesia is to understand as an anatomical standard design between holding and moving-work of conscious body-actions. This case is transmit to the technical functionsfrom the left hand, including their criticism, referring to physiological labour.
10 quotes as an illustration of healing pedagogical play-interruption under control confirms the analysis.
To make it easier to the vintager, 22 play-functional and anatomical copies are showed, including musculus index with physiology explanations, meaning the methodical basic comprehension anatomical without supposition sensitiv play.
The contents discussion comprises 100 pages at all:
motoric and biomechanic of the breed violin-vibrato like hand-forearm as well as the independent whole arm-vibrato, the part of finger-vibration, their working play, working position, their fast-behaviour, their kinematical chains, forms of move and sensorical basic forms.
Comparabel criticism for the finger-composition with thumb-opposition, stabilisation of the wrist, the position, turned to the outward for the forearm and the hand to the fingerboaed, the working-lever-position with musculus effects on the finger-cmposition, proportion between force and velocity, physiological criticism about the left handside-violin position were get by work.
Analogies to the bow-technology and vibrato from the violoncello and double-bass. Detailed register of professional words and literature.
Readers: violonists-contrabassists, harpists and woodwind-player
contact: KM Wolf-Dietrich Eulitz
Healing-teacher ,specified for play-sickness referring to the strings
domicil: Gundelfingerstraße 41, 10318 Berlin, Germany e-mail: ad-eulitz@gmx.de